MUSIC
Re: What advice do you have for young artists?
  • Currently 1.1
  • 0
  • 1
  • 2

(27)
Moby
Uploaded on 11/09/2007

Description: Don't compromise.

Transcript:

Well my advice to other musicians first and foremost would be to make music that they love. Because if you spend your life working on something that you love and you never have success with it, well . . . at least you spent your life doing something that you love. And by doing something that you love, you vastly improve the chances that you will have success with it. Because the worst case scenario is to give up your entire life to work on something that you don’t love and end up having no success with it. So then at the end of your life you look back and you say, “Oh. I compromised and had no success.” So basically make music that you love, and be open-minded in your approach to other people’s music. Because I think a lot of people . . . A lot of musicians – a lot of artists in general – tend to be very rigid when evaluating other . . . you know . . . other people’s music or other people’s art. And then simple things like word hard and be diligent. And don’t drink too much and don’t take too many drugs. And allow yourself to be influenced by interesting other . . . you know . . . other interesting musicians. And study the history of music, ‘cause I think a lot of contemporary musicians, their understanding of music goes back 20 years or 30 years. And that’s just sort of a shame because, you know, I think musicians do their best work . . . When you think of George Gershwin and “Rhapsody in Blue”, the inspiration for that and the influences for that are so diverse going back 50 to 100 years before he was actually writing it. And that’s one of the reasons that’s such a powerful piece of music.

Recorded On: 5/29/07
16
3
3
Responses
SORT BY
Re: Re: What advice do you have for young artists?
Moby not on top, never been on top? You're kidding, right? He was considered one of the top dance artists throughout the '90s (9 million sold, for his biggest album, millions more for the rest), had the first album to ever sell commercial rights to EVERY song on the album, and he continues to work on movie and game soundtracks (ever heard of Bioshock or the Bourne Trilogy) and produce for other artists (he has a website that is dedicated to providing free use of more than 300 of his tracks for independent and non-profit filmmakers).
I think he's here, 'cause he writes essays on various political and social subjects in the liner notes of his albums.
Really, hard rock and metal are my thing, and I know that much about the guy. You'd probably recognize at least half the stuff he's written, if you lost the attitude for a few minutes and actually LISTENED to his music.
1
0
Re: Re: What advice do you have for young artists?

I agree that musicians should endeavor to explore all ages of music, but disagree with your assertion that criticism in art & music is a negative. I'm a musician, and I'm openly critical of all art & music for several reasons.

Some of my favourite periods in music were periods in which artists began to take an overtly critical stance on the artists before them. In the realm of music, for instance, sometimes targets for criticism were in the populist category and other times were members of the avante-garde. Post-punk wouldn't have happened were it not for those artists that came to revile "progressive" rock and criticize the necessity of writing piece after piece displaying the artist's masterbatory virtuosity. While I enjoy many styles of music & art, it's important to me to be able to take an objective view of all else, find whatever flaws I can and constructively use criticism to push my own subjective creativity. Destruction & creation are two forces that can, in turn, bring art to new heights.

Another is that criticism in some amount can help filter art & music of obvious pretention as well as allow us to recognize the unskilled charlatan from the skillful genius. I think music knowledge and criticism goes hand-in-hand. Without overt criticism, the art world would become saturated with DeviantArt-esque hangings in galleries, and without an appreciation for art through the histories we would see several artists doing numerous re-tracings of the Mona Lisa, each receiving admiration and the highest of praise.

Some artists & musicians are inclined to put "expression" on a pedestal above "talent" or "skill", and this degrades both the artist and their art. Whenever possible an artist should take great pains to work on their craft and to develop skill in order to better express their vision, as well as study the past to gather an idea of what's been done and what hasn't. Self-criticism, constructive criticism from others and an objective approach to one's art are essential to the open-minded artist.

0
0
Why isn't "Games & Sports" a category of Arts & Culture?
This seems like a weird lacuna, given: • Sports and their huge cultural and metaphorical umbra • Video games (a more relevant art form at this moment than capital-A Art, I'd say) • The convergence of education and gaming (the biggest differences between a standardized test and a Nintendo Touch Generation game: volition and consequence) • The existence of ludic simulations that have deep philosophical implications (cf. Richard Dawkins on The Selfish Gene, Dan Dennett on Free Will, Stephen Wolfram on The Whole Kit and Kaboodle) • The existence of narratology vs. ludology issues that reflect fundamental political questions (Is this country fundamentally a unique Story, or a unique System? Or a unique combination of both?) • The two-party system, Electoral College, etc. as examples of "Broken Games". • The toy-ification of all user design, everywhere. So, where's the love? Where are the interviews with Craig Biggio and Alex Rigopulos to go along with Moby and Zac Posen?
2
0
PAGE
1