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<title>Big Think Forums Topic: creative process</title>
<link>http://www.bigthink.com/forums/</link>
<description>Big Think Forums Topic: creative process</description>
<language>en</language>
<pubDate>Wed, 09 Jul 2008 14:45:25 +0000</pubDate>

<item>
<title>7460 on "creative process"</title>
<link>http://www.bigthink.com/forums/topic/41#post-206</link>
<pubDate>Wed, 16 Jan 2008 05:18:53 +0000</pubDate>
<dc:creator>7460</dc:creator>
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<description>&#60;p&#62;I'm a songwriter myself, so I know quite a bit about the creative process. This is an interesting idea, and I'm constantly looking for new ways to kindle that part of my brain. However, any technique I try to do this runs dry eventually. I think what's truly creative is to find endless techniques of enhancing the creative process.
&#60;/p&#62;</description>
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<item>
<title>6955 on "creative process"</title>
<link>http://www.bigthink.com/forums/topic/41#post-186</link>
<pubDate>Mon, 14 Jan 2008 18:53:52 +0000</pubDate>
<dc:creator>6955</dc:creator>
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<description>&#60;p&#62;Through 5o years of working with actors, writers, composers, designers, choreographers and students I have learned to point out that when they get &#34;stuck&#34; and go blank, they are NOT in trouble. At this point they are blocking (for many reasons) an impulse of important creative value. &#60;/p&#62;
&#60;p&#62;Through the activity of paying &#34;attention&#34; to the fear prompted by this seeming failure, and as it were, diving into it, remarkable insights are gained. This is to say: The hidden and the fearsome aspects of the creative process can be used to enhance the process itself. This is a viable technique and not an intuitive game.
&#60;/p&#62;</description>
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